Daft Friday Interview/Review 16.12.11

As GUM arrives early in the night of Daft Friday, it is safe to say that the Glasgow University Union looks pretty damn good. Apart from the beautifully dressed crowd, with girls in their cocktail dresses and ball gowns and boys in suits or kilts, the whole union has been covered in some, to say the least, impressive artwork.

Those who have been to Daft Friday in previous years may expect to enter a parallel universe stepping through the doors of the union. Last year, that universe involved elves, hobbits and a rather famous ring. This year, we step into a whole new galaxy – Star Wars.

GUM caught up with the creative team behind this years’ Daft Friday artwork to find out just how much blood, sweat and fun it takes to transform a university union into a different world for one night.

“It is important to pick a theme that students will recognise”, head painter James South tells me. “If somebody comes in and they see something they don’t know well, they won’t get that “wow”-factor that we’re after. Star Wars is such a big and dramatic thing that I think it’s right for this environment”.

James came back to Daft Friday after a gap of a few years. “I thought that the artwork wasn’t what it used to be, we weren’t delivering like we used to”, he says. “People were walking around without really caring, we needed to make people open their eyes and really go “wow”.”

Last year when it was Lord of the Rings that covered the walls, the same idea of recognition was behind it. The artwork needs to be easily recognisable and it needs to be dramatic. So far, every year has also been film themed, the team tells me.

Creating this multiple floor piece of art is, not so surprisingly, a lengthy process. James starts with collecting material and finding iconic moments from the chosen story. It is important to get the scenes right, he explains, as the story of the films is told as you walk up the floors of the building. It starts at the bottom and walking up the stairs, one can follow the story right to the final scenes at the top.

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Review – Frightened Rabbit @ Daft Friday 16.12.11

Putting one of Scotland’s local indie darlings onstage just before midnight at Glasgow University’s annual black tie ball is sure to yield a predictably drunken turnout, and although there’s no abundance of staggering youngsters, who don’t seem to know what room they’ve ended up in tonight, the core of Frightened Rabbit’s audience know exactly what they came here for.

The band have come a long way since sophomore album The Midnight Organ Fight blew up in 2008, and with all the subsequent critical acclaim and overseas touring (not to mention the release of an even more successful follow-up), it feels as if things have come full circle here at their last gig of 2011. There’s a rich sense of homeliness in the room as frontman Scott Hutchison beams around halfway through the set: “Thanks for coming to the Frightened Rabbit office Christmas party”. He later checks up on the crowd: “I hope you’re doing okay out there. We’re having a fucking great time”. The man’s earned the right to be enjoying himself, and, having performed well-received set staples like I Feel Better and Fast Blood, his band have no doubt proved their relevance to any naysayers that may have been present up to this point.

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[[[[[ !COMPETITION! ]]]]] MS DYNAMITE, 17th DEC, THE ARCHES

GUM has teamed up with the Arches to offer University of Glasgow students the chance to win two pairs of tickets to Noisey Nights at the Arches with Ms Dynamite on Saturday 17th December.

Coming just before the Christmas holiday, the Arches, Mixed Bizness and Vice Magazine’s Noisey Nights have teamed up to bring you some of the best names in dubstep, garage and all things bass for a night of jaw-wobbling carnage.

Back from releasing new single Neva Soft, the one-time Mercury, two times BRIT and three times MOBO award-winning Ms. Dynamite is one of the freshest rappers and singers of the past decade – her crowd-teasing  performance with Magnetic Man at the Subclub earlier this year was proof, if any were needed.Borrowing from hip hop, R&B, grime and UK garage, her ten-year career has seen her grow from Dy-Na-Mi-Tee and It Takes More, off debut album A Little Deeper, to the sophisticated soul-dancehall-DnB crossover of latest single Neva Soft, whilst her collaborations with Katy B, Redlight, Magnetic Man, Benga and DJ Zinc – seem to have cemented her reputation as the godmother of the UK scene.

She’ll be supported on the night by Manchester bass champions Murkage, ever rising UK producer Doorly, and the ever fresh party starter Boom Monk Ben. Come in from the frost, and prepare to get very sweaty.

NOW HOW DO I WIN?

Simply answer the following question:
How many times has Ms Dynamite won the Mercury Music Prize?
Please send the answer with your name and contact number by 15th December to meggiemdonald@hotmail.co.uk
IT’S AS EASY AS THAT.

If you’re not lucky enough to win this time, tickets for Noisey Nights are available by calling the Arches on 0141 565 1000  or via the website at www.thearches.co.uk

Terms and conditions:
Open to those aged 18 and over
This prize is not transferable
Prize is for two winners and a guest to attend Noisey Nights on Sat 17 December at the Arches, Glasgow.
Management reserve the right to refuse admission.

Review: Azari and III @ The Arches

Competition for Glasgow’s clubbing elite was fierce on 12th November with Sub Club and The Arches both vying for the loyal student crowd. Their respective weapons were: LoFi magnate of the moment Julio Bashmore in the Jamaica Street basement and House-revivalists, Azari & III, around the corner in the Victorian, vaulted chambers of Scotland’s “best late night venue”, The Arches (SLTN Awards). No matter where allegiances lay last weekend one thing was clear – House is back, and it’s here to stay.

Words and Photos by Marcus Jack

On just after half 11, Azari & III were a man down. Fritz was missing. A blurry explanation suggested a lost voice – no doubt a result of extensive touring and the repeated exercise of demanding bass vocals. Their slot was a hybrid, somewhere between gig headliner and club night marathon opener – Death Disco was to follow featuring L-Vis 1990 and Visions of Trees. Opening strong with instrumental track ‘Manhooker’, electroclash Caesars Dinamo Azari and Alixander III showcase their talents without vocal presence. Azari on drum machine, Alixander over mixing console, both consult their synths regularly. The result is an excitingly sinister beat, an ultra-low frequency wall of dark house that keeps building in anticipation of theatre.

Theatre arrives when Cedric (a.k.a. Starving Yet Full) floats onto centre stage, androgyny in a black leather jacket, translucent chiffon shirt, brogues and a fur hat. Mixing straight into the irrefutable banger ‘Hungry for the Power’ Cedric shines against the pared back set and broody lighting. His voice is flawless, referencing New Wave behemoth Grace Jones and easily rivalling contemporaries like Hercules & Love Affair. The crowd lights up recognising the thumping bass and foreseeing the voodoo lyrics which berate Western greed: ‘I’m hungry for the power/Hour after hour/Crazy for your love/But love is not enough’. Fritz’ deep spoken vocals are missed – but the band’s dynamic and impressive energy more than make up for it.

Fully engaged with the club vibe, each record is seamlessly mixed into the next. Despite a plague of technical difficulties the band never loses professionalism – an ethic also indicated by their numerous high profile patrons: Annie Mac, Friendly Fires and Boys Noize. The group genuinely appreciate their success, and it shows.  The energy never falters.

 

 

 

   ‘Manic’ is the surprising pièce de résistance of the set. It has a hook which surpasses comprehension*, something in the lyrics, in the attitude of the record that becomes contagious. The thumping resonance of the track gets the crowd climaxing, everyone dancing introspectively in a fit of twists and hands. Decidedly dark the sound only goes deeper, from ‘Reckless (With Your Love)’ mixed through the rest of their eponymous debut album to the concluding and aptly labelled ‘Into the Night’.

* See below – It has to be heard.

Cedric is fascinating, stripping and writhing in perfect time he embodies the sound completely, an exotic Peaches, it’s hard not to be mesmerised. Despite this, producers are never lost; Azari sparks up on stage with a sense of James Dean cool, and Alixander responds to Cedric, twisting around mic stands and grinding against the colossal PA system. Responding to a new tradition of cold electronic music – namely the new populist brand of schizophrenic, imported “dubstep” – Azari & III are confidently part of an old movement revitalised, with a proud history and consciousness. House is back and stronger than ever.

Mummy Short Arms EP Launch – “It’s a Glasgow thing, y’know?”

Saturday the 12th of November saw the release of Mummy Short Arms’ single ‘Change’ at Pivo Pivo. In the back of the bar’s kitchen, the band talked to GUM about life as Mummy Short Arms, a band’s life in Glasgow and what the future holds for them.

Words by Tom Clarke, Photos by Jassy Earl

Mummy Short Arms have been kicking around Glasgow for a while now. “I think we’ve been going since 2003” muses James Allan, the bands singer and harmonica player as the band begin to divulge their history. Aside from Allan, the band are Fraser Gillies on guitar, Garry Pinkerton on drums, Stuart Brown also on guitar, Dean McClure on keys, Cameron Findlay on bass and Craig Brown who purportedly does “many things within the band”. Having started out as a three piece, the band have come a long way from their origins of covering The Cranberries and The Pixies with Fraser on vocals. Picking up Dean “because he’s a keyboard master plus he had a microkorg (synthesizer) before the guy from The Killers”, and moving James onto vocals, Mummy Short Arms have come to create a sound that, as Cameron puts it, is simply “quite different from what a lot of bands (in Glasgow) are doing”. It is a sound that is defined most notably by Allen’s rough, howling and whooping voice that has drawn comparisons to Captain Beefheart in reviews and interviews and which is reminiscent of Isaac Brock’s vocals with Modest Mouse.

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Review: Hyde & Beast @ Captain’s Rest, 8th November

What do you call a guy who hangs out with musicians?

-          A drummer.

Yeah, ok, never really great are they? Regardless, everyone knows at least one drummer joke. In fact there’s a whole website dedicated to them. It’s called drumjokes.com; almost as simple as the subject matter (ZING). I never was good at jokes. Anyway… this incessant rambling about drummer jokes is actually relevant, I swear. This is because there’s something rather peculiar about Hyde & Beast, the indie-psych-rock duo from Sunderland; they are both better known for being drummers in bands The Futureheads (Dave Hyde) and Golden Virgins (Neil Bassett).  So what happens when two drummers get together and make some music? In this case – magic.

The duo brought their brand of laid back, harmony drenched cosmic pop to Glasgow’s Captain’s Rest on Tuesday 8th November, bringing their music alive with the help of four other musicians. The crowd were few but the band filled the room with tunes from their debut album ‘Slow Down’, which was released this summer.

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Preview – Azari and III @ The Arches – 12th November

A visual feast, Azari & III take to the cavernous stage of  The Arches as part of a UK & Europe-wide tour this autumn – Saturday 12th November 11pm-3am. Here, Marcus Jack inspects their sound  in expectation of their performance.

Grace Jones meets Justice; Azari & III are a four-piece from Toronto shaking house music to its ancient roots. Composed of producers Christian Farley and Alphonse Lanza (aka Dinamo Azari and Alixander II) and vocalists Fritz Helder and Cedric Gasiada their unique set up provokes a sense of performance and theatre.

Akin to two almost-mechanical electroclash Caesars manipulating their two vocalist marionettes – who reference everything from Prince to Peaches – the group are a response to the mutilated house genre. A brilliant, sultry and decadent debut – the result is intoxicating.

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Creatures of The Night @ Ashton Lane

With Pendulum, Foals, Capitals and Boycotts – 29th October

There are a number of things which first raised my suspicions in this Halloween event – The fact that it was run by a massive beer company (down wiv capitalism!), doubts it would be ‘the Halloween party to end them all’ it claimed and I suppose this is just snobbery, but the Pendulum DJ set.

It started of relatively gently with brilliant sets from local bands Boycotts and Capitals. They managed to pull in decent crowds and gave full on performances despite the tiny space of Brel’s conservatory. It does seem like I’m championing the underdog here, but it really is too easy when over at the Grosvenor Café, Pendulum took to the podium to inevitably reign over the whole event.

Yes, I have beef with Pendulum. I just can’t get over their relentless build ups and break downs and constant touring of an album released in 2008 – October must be a quiet time for the band, what with the Fresher’s Week season well and truly finished 2 months ago. Whilst there was an inordinate amount of fist pumping wankers at the front, Pendulum can only be applauded for filling such a large space and getting what felt like 3785 people bouncing simultaneously.

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