Applications for the GUM team 2018/19 are now open! There are many exciting roles to apply for. Applications will close at midnight on the 12th April; don’t miss out on the chance to be part of one of the best media teams at Glasgow University!
[Written by Valeria Levi] I have never written articles. Well, that’s not completely true – I’ve written some samples in school on a writing course but I would not consider them real articles. When you write for real, your work addresses people who are genuinely intrigued by what you may say, not teachers who have to deal with your writing regardless their sincere interest. The impact is very different – where teachers tend to criticise or encourage you in order to help you make some improvements, readers don’t care about your work-in-progress style and its derived imperfections. You must be good from the beginning because readers are looking for feeling a sort of appeal to your writing, a sensuous appeal to how you can put words together. Along with that, they are seeking for a new angle on things, something that will lead them to a different perspective from their general point of view.
Written By: Elspeth Macintosh Illustration: Lara Delmage From hysterical Oscar winners to out-of-touch politicians, many people on this planet are given a large-scale platform on which to run their mouths. It’s only natural that a few of them will really, really miss the mark from time to time.
Applications for the GUM team 2017/18 are now open! There are many exciting roles to apply for. Applications will close at midnight on the 22nd May; don’t miss out on the chance to be part of one of the best media teams at Glasgow University! Why should you join GUM? If you are considering work in the media industry in the future, it is vital that you start to build up experience at an early stage. GUM is a wonderful platform for you to show your talent and commitment, get your work seen, and it is an incredible experience to put on your CV. Our website this year has grown in popularity, with over 4000 views each month, our Facebook page has over 2000 followers, our Twitter, 1,497 followers and our Instagram has 375 followers. On top of that, each issue of GUM is read by thousands across the city. We pride ourselves on being the oldest student magazine in Scotland (beginning in 1889!) and we are a recognised name with employers throughout the UK. This year GUM was shortlisted for ‘Best Design’ at the UK wide Student Media Awards and has previously been awarded ‘Best Magazine’ twice by the Herald Student Media Awards. A role in GUM will prepare you for jobs within journalism, media production, editorial work, publishing, events management, graphic design, photography, the fashion world or social media management.
Stylist: Niamh Carey Photographer: Léa Cyrielle Model: Lara Delmage Designer: Morag Taylor BTS Photographer: Silvia Sani
“Maybe I’m not good enough.” It’s this constantly underlying anxiety that gnaws at Mia and Sebastian (Emma Stone and Ryan Gosling) as they chase their respective aspirations in acting and jazz music, compelled by the allure of Hollywood’s star-spangled promises of success and validation. It is not, however, a fear that director Damien Chazelle need pay any attention to, considering La La Land’s dazzlingly impressive, record-tying achievement of 14 Oscar nominations including Best Director – making him, at only 32 years-old, the youngest nominee to date. This kind of recognition (totally deserved, I might add) is something our protagonists may only dream of, and dream they most certainly do.
The new year has arrived, and some of our old leaves are back to where they were before as our New Year’s resolutions have fluttered away – much like our hearts with the anticipation or dread of Valentine’s Day. Whether you’re in a relationship, single, or seeing multiple people, you will all be aware of the many obligations that Valentine’s Day brings. Even the couples who say “we don’t do anything special, we just treat it as a normal day” are very much aware of the retail frenzy the day brings. If you somehow forget the date you’ll inevitably hear about it via friends, or through the Sky Movie selection. Or you can just look outside and see it on the streets, plastered on walls of shops, countless red hearts brushing against one another on banners. Basically, there is no escape.
The author of So Sad today definitely seems to think so- through her poetry, published initially online, she charters her experience of twitter and the web, as a place where sharing about struggles with mental health was more easily facilitated than every day. In some ways it should be basic, when posting to Twitter or Instagram you are accessing the potential for an international group therapy session, you don’t have 1-10 people who could identify and relate to you, you have 1 – 313 million. The physical silence of online provides equal possibilities to share vulnerable-making, or at least vulnerable feeling information, which many mental health related things can be. However, silence can as easily be interpreted as a rejection as any explicit message, and if a trolling hate reply is received (of which there are many) it could silence the speaker for good.
Ahead of the launch of the first issue of the year, some of our editors went around campus interviewing the students of Glasgow University about what nostalgia means to them.
As the Autumn leaves fall and abandon the trees, stripped bare of their colour and decoration, we wrap up in the skin of animals or cling onto the skin of someone else, to protect ourselves from the chill that the crisp Glasgow air inevitably brings each winter. Whether we have been residing in the library’s box shapes or the reading room's hollow shell, the past few months of University have been tough on us all as we adjust to the lack of sunlight. Here we are, students caved into the studying world after a summer of adventurous travels: country hopping for some, bed hopping for others.
Kaisa Saarinen interviews Glasgow Unity Centre in order to clear up some important misconceptions – and finds out what we can all do to help.
Good news doesn’t sell. This simple truth explains why the media is, and always has been, so eager to make the worst of everything. Most major media outlets have been happy to contribute to the ongoing mass hysteria about immigration in order to boost their sales. Several studies have been conducted on the topic of media portrayal of immigration, and they consistently show that the coverage in the UK is amongst the most negative in Europe, and that the continuous flow of fear-mongering headlines and images has a very real impact on its readers. We have all seen examples of this: people described as ‘illegal’, their movement as ‘invading’ or ‘flooding’.