This year for the Glasgow Film Festival 2017 I was both coordinating the press coverage for GUM and volunteering on the festival myself. However, with so many interesting films on, there were no signs of fatigue. Here’s a quick round up of films I’ve managed to see (no fully formed reviews here, just scattered thoughts).
Admittedly, my expectations for the Glasgow University Charity Fashion show weren’t high, due to it being the first student-run charity event I had attended. I confess, however, that I was wrong: the effort and production that transferred the harsh brick and steel interior of SWG3 into the 2017 show was flawless.
In the last decade, there has been an exponential growth in the amount of participatory theatre being produced. What started as a new theatrical experience has now often become a tokenistic trait. Nowadays, participatory performances rarely provide the audience with actual agency and autonomy, but rather an illusion of such. We are Slumber Club, a group of third year Theatre Studies students at the University of Glasgow. From Friday the 17th until Wednesday the 22nd of March we are putting on a project titled Trilogy. We want to return ownership of a theatre performance to you. We intend to move audience interaction from the performance to the process, so the spectator’s active involvement is to contribute items and ideas during the show’s development. When we then perform the final show, created by the spectators, we hope to question these ideas of participation and democracy.
By Audrey Summers
As the days grow longer and the sun has awoken after a long winter, we all are expected to crawl out of our slump and begin our days early and with a determination to complete our assignments. Our focus is on – or should be – on our work, but a getting away from everyone and everything is necessary during this stressful time. While travelling around I got to reunite with some of my best friends, people who I used to be inseparable with before work and the world around us got in the way, before I focused my attention on succeeding and being the ‘best version’ I could be. Not only the best version I saw for myself, but also the one attractive in the world and its eyes and wishes from me.
“Maybe I’m not good enough.” It’s this constantly underlying anxiety that gnaws at Mia and Sebastian (Emma Stone and Ryan Gosling) as they chase their respective aspirations in acting and jazz music, compelled by the allure of Hollywood’s star-spangled promises of success and validation. It is not, however, a fear that director Damien Chazelle need pay any attention to, considering La La Land’s dazzlingly impressive, record-tying achievement of 14 Oscar nominations including Best Director – making him, at only 32 years-old, the youngest nominee to date. This kind of recognition (totally deserved, I might add) is something our protagonists may only dream of, and dream they most certainly do.
This documentary about a group of maverick Dutch journalists investigating the possibility of ethically produced chocolate manages to be educational, depressing, and very funny all at the same time. The beginning half depicts the efforts of the core member of the group, Teun van de Keuken, to get himself imprisoned for the crime of consciously eating chocolate while knowing that its production has involved child slavery. Towards the end, the film shifts its focus to Teun’s (‘Tony’s’, as his name is commonly wrangled by anglophones) quest to create their own, 100% slave-free brand of chocolate, called Tony Chocolonely. As it turns out, there are massive obstacles on the way to achieving that goal.
My legs were shaking, palms sweltering, head banging and I knew what was coming. Stood there, in the middle of the shopping centre, I was having an anxiety attack. Again. Quick, run to the bathroom and nobody will even notice you…but I couldn’t; my legs didn’t want to move. Sweat dripped down my forehead and people began to stare. ‘What’s wrong with that man, mum?’, ‘Stay away from him’, ‘what a weirdo’, ‘haha loser!’
Eventually, I made it back to my flat. I locked my door and it was over. I didn’t need to think, talk or scrutinise it. Just forget it, I said.
How many people go through this every day? 15 million.
How many of those receive frequent treatment? 5 million.
It seems something isn’t quite right.
Nobody ever perfected the feminine as ethereal quite like Kate Bush. An influence on innumerable modern pop stars and style icons – Florence + the Machine, Bat for Lashes, Bjork and St Vincent, to name but a few, Bush is an icon of music, style, and feminism all at once. Incorporating costume wholeheartedly into her music videos and performances, she used her attire as an equal arm of her unbounded creativity as any other artistic medium. Her iconic, enormous wavy brown hair and angelic Wuthering Heights white dress cemented her place in pop culture iconography, and informed my relationship to femininity and performance more than any other artist.
How can we get out of the New Years Slump?
To break free from the post-New Years slump, we must first realise what causes it in the first place.
The festive period can be a wonderful time, however it leaves us vulnerable to becoming deeply embedded in our comfort zones. First comes Advent- we indulge in streets illuminated by fairy lights; christmas markets made of woodhuts; winter wonderland themed window displays; concerts; christmas soundtracks (even the trashier tunes have an aesthetic tone to them) and films which work up a feeling of nostalgia within us, that traces back through many an encounter with the month of December – we already feel we’ve escaped reality.