[Written by Emma Harrison]

[Images by Tosca de Wilt]

We have never had such a broad range – or, arguably, high level of quality – of televisual content as we do right now. The monumental success of streaming services like Netflix has led to the production of an unprecedented number of programmes – we almost have too much choice in what we watch, from hundreds of sitcoms to colossal undertakings like Game of Thrones. But are we truly living in a ‘golden age’ of television? It seems a questionable claim considering that so many of its great successes are inspired by (or a direct reboot of) older material.

[Written by Elsa Lindström]

[Image by Elena Roselli]

Until last year, I was never that excited about Christmas. Don’t get me wrong, of course it was nice to have a reason to not go to school and get presents, but if someone asked me what my favourite holiday was, I would always answer Halloween. Christmas just simply was not that special, and I didn’t really get what all the fuss was about.

[Written by Charles Pring]

[Image by Elena Roselli]

I have generally always been in good supply when it comes to festive spirit, especially once the days of mid-December starting drifting past. Sure, the predatory commercialism can be disillusioning, and my acrid rage smoulders at the sight of Christmas goods before Halloween, but it is hard to resist the charms of seemingly endless food and drink, the gathering of family, and the glorious receiving of free stuff.

[Written by Elena Roselli]

[Image by Grace Elder]

Since a very young age, I have always been described as a “bookworm”.
Growing up, I quickly grew bored of usual stories you could find in kid’s books, to the point that my father had to make-up a new story every night to get me to go to sleep. The problem was pretty much solved when I started to read alone. I was finally able to form my personal image of the stories written in the books I loved, to choose the characters I wanted to dream of, the type of story I was intrigued by.

[Written by Dalia Gale]

[Image by Anna Shams Ili]

Content warning: this article includes discussion of mental illness and the representation of such.

Mental illness is a thing. Some people would still like to keep it a taboo subject, while others deny its existence, but mental illness is not going anywhere, and those who suffer from it will not be silenced. Creators in particular do not like being silenced in any matter, and for that reason they often reach for art and its various form of expression to discuss mental illness and share their experiences with it.

[Written by Annegret Maja Fiedler]

[Image Credit: WikimediaCommons//Alexander Kellner]

IDLES at Queen Margaret Union (QMU), Glasgow was an empowering, optimistic and loud audio-visual experience, which included a full body workout. Their tour features their newest album Joy as an Act of Resistance, which does not shy away from directly addressing Brexit, toxic masculinity, bereavement, xenophobia and mental health. It has been receiving rave reviews since its release in August, and has managed to inject heavy punk rock into European and US charts. Their sold out performance on the 20th October, 2018, of course, did not disappoint.

[Written by Pauliina Ketonen]

[Image Credit: Flickr/kentarotakizawa]

It all started in 2006. The album? Crazy Frog Presents More Crazy Hits.

Crazy Frog is a CGI-animated blue frog, that spawned from the insanity that was early 2000s marketing. Crazy Frog Presents More Crazy Hits is one of several cover albums starring the frog and includes hits such as Cotton Eyed Joe and Everytime We Touch but most importantly for little 9-year-old me, We Are the Champions. Feeling like a champion, I told my mom how much I loved the song. She patiently listened to my rambling, and then made me listen to the original. And that’s how I discovered Bohemian Rhapsody.

[Written by Nina Panter]

[Image by Tosca De Wilt]

Picture this scene; you are in your friend’s car on the way to god knows where, or enjoying some simple pre’s in a flat and music is playing; it’s an old pop song that was on the radio a couple years ago, it’s silly but catchy, and life feels good. As the song ends, your friend turns to you and says; “Next I was thinking we could put on a song you like! What’s your favourite band?”

….. Boom.

[Written by Rowen Leverentz]

[Illustration by Norliza Matheson @norxillustrations]

The first time I watched The Rocky Horror Picture Show I was probably about 14 or 15. My parents didn’t want me to watch it at the time, so I went around to my friends and we watched it secretly together. The show is based around a heteronormative engaged couple named Janet and Brad, who end up in a spaceship inside of a castle. The ship is full of aliens obsessed with fashion and sex that sing the whole way through. It’s probably the most ridiculous thing you will ever watch, but the show made me feel comfortable within myself due to its openness surrounding sexuality.

[Written by Tara Smith]

[Image Credit: Popbuzz.com//DisneyStudios]

So I’m 12 years old, chilling on the sofa, remote in one hand, while I wait on my best friend to put the DVD on. We’ve planned our whole sleepover out: fluffy PJs on, a bowl each of sweets, and hot chocolates. I am so ready to watch and fall asleep to a movie I have seen a hundred times before; recite all the best lines, play on my phone at the sad parts, then fall asleep at the end credits. But this isn’t the movie I expected.

[Written by Katherine Jossi]

[Image by Katherine Jossi]

Oct 12th Barrowlands

Tom Odell’s performance at the Barrowlands kicks off the tour for his upcoming album.  After a two-year hiatus, Jubilee Road is set to release later this month. When I think of British singer-songwriter Tom Odell, I remember his first album from 2013 – Long Way Down. I was 15 when it came out and I remember listening to his song Another Love after boy drama. So naturally I was expecting a fairly mellow concert, but it was anything but that.

[Written by Manon Klatt, Culture Editor @manonqueenbi]

[Image by Kate Zápražná]

Pumpkin spice, rose gold, Taylor Swift, Instagram, yoga pants. Either you just read that to the tune of Fairy Odd Parents, or the image of a basic, white girl just formed in your head.  A picture resembling me, a self proclaimed basic girl. People apply the term to girls in a derogatory way, who they deem as plain, without personality, maybe even a bit unintellectual. This might make you wonder, why did I chose to apply to term ‘basic’ to myself. The answer is simple, I am reclaiming the term ‘basic’, arguing that there is absolutely nothing wrong with being basic.

[Written by Aimée Stanton, Elsa Lindstöm and Maria Jeleńska]

[Image Credit: Pixabay//philprice13]

It’s spooky season. People are picking out their costumes, planning parties, and purchasing massive amounts of sweets. Halloween is a beloved holiday for most people in the UK and the US, however, the rest of the world might have some different takes on how to celebrate skeletons, vampires, and a sugar-induced coma.

[Written by Mark Wilson]

[Image Credit: Wikimedia Commons//Universal Studios 1931]

You know the drill. Lights off, curtains shut, volume up, and feet in a safer place than the ominous darkness lurking beside your sofa. No other genre has become synonymous with such accepted rituals as that of horror. This encroaching of the horror film within people’s living rooms, cinemas, and social lives has particularly escalated in the past few years due to a severance from the infamous ‘torture porn’ and ‘jump-scare’ flicks of the mid-2000s, towards more socially minded modern horrors. The social phenomenon that became of Hereditary (2018), the Oscar success of Get Out (2017), and the box-office leviathan It (2017), all demonstrate the resurgence of an innate desire to be genuinely frightened. But why is ‘scary’ so sought-after, and what is the cause of this cultural shift towards the horrific; and how, ultimately, can fear bring us a new level of empathy and understanding, together as a society?

[Written by Emil Marty]

[Image Credit: ‘A witch at her cauldron surrounded by beasts.’ Etching by J. van de Velde II, 1626//Wellcome Collection]

With Halloween hot on our tail, the usual spooky signs are showing. It’s that time of year where supermarkets go supernatural, and every dark corner is littered with cobwebs. Plastic skeletons lurk behind the fruit and veg aisle, and we run home to go over the entire back-catalogue of American horror movies. But come November 1st, the cobwebs have been wiped away to make room for the Christmas tree, the skeletons have been replaced with Santa Claus, and Nightmare on Elm Street swapped out for Miracle on 34th Street. For many, Halloween is a quick holiday that breaks up summer and Christmas with a freak excuse to get drunk and dress up. But for some, Halloween has roots that rest deeper than that, and continue beyond October 31st. In witchcraft, Halloween or Samhain marks the last harvest festival of the year. To find out more, I caught up with a friend of mine to talk about their practice. Brynn Alred, 20, tells me all I need to know about tea, tarot and how to hex a Tory.

[Written by Anastasija Svarevska]

[Image by Tosca de Wilt]

When you think about coffee, what exactly comes to your mind? Is it the smell of freshly grinded beans, a survival tool, a bitter liquid, a drug, a daily ritual of going for a cup with a friend, a Starbucks logo, or an “indulgence in a cup”, as the saying goes? No matter how many different connotations and meanings it might bear, it is safe to say that there are three camps in which we, as coffee-drinkers, are divided into: those who know its history and who enjoy it as such, sipping on pure espresso from freshly roasted Kenyan beans; those who don’t really care about where it comes from because, well, coffee is coffee isn’t it; and those who exclusively enjoy the idea of having a coffee, be it from Starbucks or a hipster coffee shop around the corner, with everything that it implies: cute Instagram pictures, fancy cups, or trendy tastes which, with the change of seasons, are on the front burner. One of them is, as we all know, pumpkin spice (which, as I recently discovered, not only extends beyond coffee to cocktails such as White Russians, biscuits, buffalo wings – which makes me wonder why we still don’t have pumpkin spice infused perfume – but that’s not what this article is about).

[Written by Abby Wilson]

[Image by Abby Wilson]

Autumn: the glorious transition from the warmth of summer to the bitterness of winter. It is a season full of colour: deep reds, burnt oranges, mustard yellows. Sadly, alongside the changing colours comes the changing tones. Despite the occasional seasonal walk through the park or nearby forest, where we can witness, first hand, the magic of autumn, it is colder, breezier, rainier, and often, we would rather spend these darkening days indoors. Personally, with studying and other commitments, I struggle to spend as much time outdoors as I would like. However, I have found a simple solution: bringing my favourite elements of the outside in. This includes colours, scents and even tastes. I’ve listed some of my autumnal favourites below:

[Written by Gabriel Rutherford @niemalsallein_]

[Illustration by Grace Elder]

“Cancelled”. “Over”. “Called out”. A new lexicon of language is being formed online, particularly on Twitter, where more and more fans are policing their own “faves”. The language a celebrity uses, who they are photographed with, what they wear and even what they eat is being critiqued in what seems to be a crusade to find the one true virtuous celebrity (spoiler: it’s Jeff Goldblum). A “callout culture” has been formed, where it’s the done thing to instantly point out the transgressions of a famous person – fair enough. After all, this is done with good intentions and a noble goal, namely to try to influence social behaviour by calling out public figures who perpetuate damaging ideals or actions.

[Written by Gabriela Saldanha Blackwood]

‘Glasgow In Conversation’ is an online series seeking to profile socially, politically and/or culturally engaged figures and spaces within the Glasgow context. The premise is simple – 10 questions, which remain more or less the same, put forth to interesting people doing interesting things within our city.

[Written by Annie Wakefield]

[Image by Kate Zápražná]

When an artist makes controversial statements or life choices that you neither support or condone, is it possible to find a separation between an artist and their art, or are they of one thing?
For many people, there is a dilemma in still appreciating an artist’s work, be it watching a film starring said actor, or listening to an artist’s music, after they’ve come under fire – whether it be for making provocative political statements or for unacceptable behaviour in their personal life.

[Written by Stefanie Reynolds]

[Image by Aike Jansen – Online Photo Editor]

I love film. I love experiencing film at the cinema, at a friend’s house on a wide screen TV or just on my own, in my bedroom, through my laptop. I enjoy most genres; comedy or romantic being my favourite. I go weak in the knees for a beautifully, romantic love story! However, despite this, there is one (huge!) sacrifice I have to make whenever I give myself over to film for an hour or two – I probably won’t see myself. Under representation is a problem in film, but worse still is the token black character. My non-black friends have often been quick to remind me of many films with black actors, and have even eagerly pursued to put them on in my presence.

[Written by Niki Radman]

[Image Credit: Steve Jurvetson/flickr.com]

Whenever I sport my What-Would-Lin-Manuel-Miranda-Do-T-Shirt in public, people tend to give me puzzled looks and, occasionally, a hesitant “So, who is… errr –?”. It appears that there are still people in Scotland who don’t know the name Lin-Manuel Miranda. Curious. To be honest, answering their question is difficult for me. When you admire someone to the extent that I do Mr Miranda, drawing a sensitive sketch – both of perceived personality and various achievements – becomes extremely challenging. Chances of going on a disconnected ramble are high but then again how to pick from the plethora of information obtained on afternoons of compulsive googling? Nonetheless, here is my attempt at an overview.

[ By: Emma Lees ]

Hannah Hill is a 22-year-old woman from London. What first drew and continues to draw me to Hannah’s’ social media presence is her power to use raw relation in a way most people can’t stomach: forthcoming with not only her position on social standards, mental health, immigration, drug use, politics, equality and body image (to name a few), but she also shares her perceived weaknesses and strengths. She lays herself bare and brave. This in turn cultivates a network of girls who genuinely care about her; girls who read her vulnerable musings like a diary, who notice when she seems happier or sadder, and like a private-public chat room communicate that concern or well-wishes for all to see. Scrolling through her Instagram is the mental equivalent of a girls’ sleepover, the admiration for yourself you wanted to have but didn’t know where or how to start, an uninhibited conversation in the girls’ bathroom with someone you immediately know has shared a slice of your life and love, victories and losses. To summarise – Hannah is singlehandedly the girl gang we all need. She is the human manifestation of those girls who dominate the likes of Laura Callaghan’s illustrations – sassy, sincere and unapologetically sexual. She puts the time in to be the person reinforcing feelings worth talking about and for someone with 43.3k followers on Instagram, that’s a socially significant mindset to have and a courageous life to live.

[Written By: Gabriel Rutherford]

[Photographer: Elena Roselli]

The importance of arts funding cannot be overstated. For culture, funding is crucial for survival especially in an age where inflation means that artists have to charge more for their art, thereby limiting audience sizes – already a problem in the echelons of “higher” art. After all, when was the last time you went to the opera?